Pkew Pkew Pkew – Optimal Lifestyles
6 years ago


I have a few things here so bear with me. First up is a bootleg of a 2003 concert. The quality on it is excellent as well as the set list. The songs played from their Beer Commercials ep ("Hey Is that...", "Dog Park", "Fine + 2 Pts.") sound especially solid. The only downside to this recording is that one the end of some of the songs there are long spaces after a song finishes and the crowd is just talking. I did take out one track from the concert so that the folder wouldn't be too big, but it was the space between the set and the encore so it shouldn't be a big deal.
Bomb the Music Industry's fourth and a half album (To Leave Or Die In Long Island doesn't really count as a whole one) everything a BtMI fan, ska fan, or even a fan of great music could hope for just short of a Jawbreaker reunion (one can dream). The band stuck to the full band sound of Get Warmer though there is a little laptop drum machine in there for the old school fans ("25!"). There are still plenty of synths too but also the album has quite a bit of keyboard as well ("Fresh Attitude, Young Body", "25!"). This album is just really fun, from "It Shits!!!" to "(Shut) Up the Punx" to "Can I Pay My Rent In Fun?". I know that this is free on their website but I thought I'd give you my take on it and encourage you to buy it on vinyl (I'll let you know when it's available) or donate to the label.
Neon Creeps is the sophomore effort from the Texas hardcore-punks and it's their best to date. With more anthemic themed songs, the addition of a bass player, and more energy than ever, Creeps is a definite step up from their debut Black Mambas. The album is incredibly upbeat, and for every time singer Eric Solomon puts himself down ("Chris Ryan Added Me On Facebook") there's a song to lift you back up ("My Life As A Morrissey Song").
This is a bootleg of a Jawbreaker performance about six months before 24 Hour Revenge Therapy came out. The set is full of, then, mostly new material and Blake talks about the origins of some of the "new" songs ("The Boat Dreams From the Hill", "Jinx Removing", "Boxcar", "Kiss the Bottle"), which is great to get an explanation straight from the sorce. The performance itself is really solid, playing and almost singing every note perfectly but that's to be expected. There's also an incredible version of "Kiss the Bottle" (a b-side from 24 Hour) that really does the song a lot more justice than the version on the Etc. compilation.